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Designed by Mario Botta
Graphic and sculptural, this lamp shapes different light atmospheres through two adjustable diffusers in white perforated steel plate which create play on light and shadow. Designed in 1986, the pure geometric volumes and chromatic contrasts echo the timeless architectural language of Mario Botta. Part of the Artemide masterpieces collection, Shogun is featured in the collections of museums like the Metropolitan Museum of Art in New York.
Dimensions:
Adjustable shade, structure in steel painted white and black
Wattage:
DIA320 x H595 mm
Note:
8W, E27
$1,540.00
The SATURNO collection is enriched with two exclusive versions expressing the perfect stylistic vision of the architect from Ticino. Saturno table MB edition features a light grey MDF base with black edges, which supports an elegant acid-etched glass top, completed by a refined central extra-clear glass insert. Saturno 48 low table MB edition features an […]
$1,410.00
$15,750.00
$2,650.00
Archetypal shapes in architectural geometry inspire these historical masterpieces._ Designed by the great contemporary architect from the Ticino canton for the interiors of some of his famous buildings, they have become classics in the Alias catalogue, icons of design made in Italy. Main features are the seats seconda, in perforated sheet steel.
$1,530.00
$590.00
Icon of Italian design and the result of the brainchild of designers Michele De Lucchi and Giancarlo Fassina, the Tolomeo lamp was launched in 1987. It embodies the perfect balance between functionality and aesthetics. The timeless elegance and impeccable functionality have made it one of the most famous lamps in the world and it has […]
$450.00
“Introduced in 1975, Sintesi was the first Artemide lamp signed by its founder, Ernesto Gismondi. Conceived as an intelligent system, it is built around simple, shared components that form a versatile family of products. The table version, now reissued, is the core from which the entire system evolves. Its structure is minimal yet adjustable in […]
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The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.