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Designed by Mario Botta
Graphic and sculptural, this lamp shapes different light atmospheres through two adjustable diffusers in white perforated steel plate which create play on light and shadow. Designed in 1986, the pure geometric volumes and chromatic contrasts echo the timeless architectural language of Mario Botta. Part of the Artemide masterpieces collection, Shogun is featured in the collections of museums like the Metropolitan Museum of Art in New York.
Dimensions:
Adjustable shade, structure in steel painted white and black
Wattage:
DIA320 x H595 mm
Note:
8W, E27
$1,040.00
The Zeta stool, designed by the architect Mario Botta, recalls the letter from which it takes its name: two square elements, serving as base and seat, are joined by a diagonal element secured by a comb joint at each end. Two diagonal leaves merge with this element, helping to strengthen its structure and giving the […]
$2,650.00
Archetypal shapes in architectural geometry inspire these historical masterpieces._ Designed by the great contemporary architect from the Ticino canton for the interiors of some of his famous buildings, they have become classics in the Alias catalogue, icons of design made in Italy. Main features are the seats seconda, in perforated sheet steel.
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$2,440.00
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
Costes chair debuted in 1984, marking the beginning of the partnership between Philippe Starck and Driade. A designer, formerly unknown in Italy, creates one of the world’s most iconic object. Designed for the once homonymous, now disappeared Parisian cafe, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three […]
$380.00
An avant-garde icon of the 1950s, Pivotante ? Poser was conceived by Charlotte Perriand as an architectural element. The light emission interacts with the material texture, volumes, dimensions and graphic signs created by the two rotating diffusers, which allow both closing and opening of the light beam for direct or indirect light.
A chair, inspired by the world of textile looms, with a very industrial aesthetic combined with the delicacy of the threads to create a subtle and elegant chair.