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Designed by Mario Botta
Graphic and sculptural, this lamp shapes different light atmospheres through two adjustable diffusers in white perforated steel plate which create play on light and shadow. Designed in 1986, the pure geometric volumes and chromatic contrasts echo the timeless architectural language of Mario Botta. Part of the Artemide masterpieces collection, Shogun is featured in the collections of museums like the Metropolitan Museum of Art in New York.
Dimensions:
Adjustable shade, structure in steel painted white and black
Wattage:
DIA320 x H595 mm
Note:
8W, E27
$2,650.00
Archetypal shapes in architectural geometry inspire these historical masterpieces._ Designed by the great contemporary architect from the Ticino canton for the interiors of some of his famous buildings, they have become classics in the Alias catalogue, icons of design made in Italy. Main features are the seats seconda, in perforated sheet steel.
$15,750.00
$1,040.00
The Zeta stool, designed by the architect Mario Botta, recalls the letter from which it takes its name: two square elements, serving as base and seat, are joined by a diagonal element secured by a comb joint at each end. Two diagonal leaves merge with this element, helping to strengthen its structure and giving the […]
$2,440.00
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Characterized by a sophisticated balance between structure and seat, which appears to be suspended, it represents the typical expression of Italian craftmanship. The structure is realized in curved wood, with a natural, black stained or walnut finish, combined with a wooden or covered seat in various finishes.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
$770.00
Charlotte Perriand was inspired by the boom of sailboats when in 1938 she conceived Potence Pivotante. Designed as a highly accessible swivel lamp, realized using two black tubular sections assembled in the shape of an inverted ?L? to lead the electrical wire from the switch to the bulb. The steel arm fixed to the wall […]
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.