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Designed by Robin Day
Influenced by the notion of flexible design, the Daystak Desk highlights Robin Day’s skill for blending form with utility. The addition of a drawer box with visible dovetail joinery to the Daystak Table expands the functional potential of the design to create a desk that embodies Day’s singular creative focus. The drawer box can be ordered separately and placed on either side of the table.
Variation
$2,220.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
$1,250.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
$3,620.00
Showcasing a soft, inviting character, the RFH Lounge Chair follows the same design principles as the RFH Armchair. Small in footprint, part of the chair’s charm lies in its low and compact form, offering a lounge piece with a striking silhouette that can be placed in the most modest of spaces.
$790.00
Designed with stackability in mind, the Daystak Side Chair by Robin Day is a lesson in functional utility and the beauty of simple forms. Exhibiting the designer’s dedication to craft, the side chair’s complex construction belies its visual simplicity and minimalist mid-century silhouette.
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The overall vision created by the harmony of the beveled shapes, the full volumes and the soft but minimal design is recreated in a more rock, metallic version, thanks to the structure that lightens the seat. A wide range of colors for the padding, covered in velvet, or leather or eco-leather makes it suitable for […]
$1,030.00
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
$2,260.00
After experimenting for years with the concept of a laminated wooden frame inspired by old wooden tennis rackets, Danish design duo Hvidt & Molgaard released X in 1959, a lounge chair with a distinctive sloping silhouette and understated aesthetic.
$1,850.00
Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.