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Designed by Giancarlo Piretti
“The Symbol of a new era focused on plastic”. That’s how Plia chair was presented in 1967 at the Fiera del Mobile in Milan. During the Fair, the Plia got so much acclaim from audiences that many visitors moved away from the stand with some samples without asking for permission… As a result of this unhorthodox compliment the chairs were tied with chains for safety. With the Plia chair the designer, Giancarlo Piretti, has revolutionized the concept of folding chair, and his study on the “three-disc hinge” is considered a stroke of genius. The combination of steel and polypropylene frame has paved the way for Plia which has become a cult object. Plia represents the realization of “democratic design” and it is nowadays exposed at the design sector of the MoMA in New York. Thanks to this chair, which millions of copies have been sold, Giancarlo Piretti,
Finishes:
Structure in steel plated chrome, seat and back in cane
Dimensions:
W469 x D508 x H751 mm SH428 mm/ W469 x D54 x H888 mm
$1,890.00
Designed in 1970 by Giancarlo Piiretti, plona is a folding and stackable armchair. A truly unique design that combines aesthetics, functionality and comfort.
$3,080.00
A multifunctional modern and iconic lounge chair, perfectly combining comfort, design and modularity. Alky?s design allows for individual use or linked together to form a sofa.
$3,590.00
$650.00
“The Symbol of a new era focused on plastic”. That’s how Plia chair was presented in 1967 at the Fiera del Mobile in Milan. During the Fair, the Plia got so much acclaim from audiences that many visitors moved away from the stand with some samples without asking for permission… As a result of this […]
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Agata is elegant and timeless, thanks to the minimalist design and its innovative concept of comfort. A true protagonist of your living room in terms of appearance and functionality. Creates well-being for your convivial moments inspired by nature.
$1,730.00
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The seat section of uniform plywood is broken by the unconventional connections between the legs. The legs pass through the seat emphasizing the structural construction which is also a design detail. The effect is outstanding in the two-color version.