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Lazada
Designed by Hvidt & Molgaard
Looking to create a versatile piece that would adapt to its surroundings, design duo Hvidt & Molgaard devised this handsome lounge table in 1956. As part of the Drop Leaf series, it boasts the same curved wooden frames and easily foldable design. Available in solid walnut or oak.
Variation
$7,920.00
$740.00
An adaptation inspired by sketches of the original lamp by Hvidt & Mølgaard, the Tripod wall lamp remains true to the essence of the Tripod design. Cafted from lacquered aluminum, the wall lamp is anchored by a spherical base that establishes a visually solid foundation, while the shade’s swivel feature allows the lamp to distribute […]
$2,060.00
After experimenting for years with the concept of a laminated wooden frame inspired by old wooden tennis rackets, Danish design duo Hvidt & Molgaard released X in 1959, a lounge chair with a distinctive sloping silhouette and understated aesthetic.
$530.00
The Tripod table lamp embodies the discerning practice of historic design duo Hvidt & Mølgaard. Considered Old Masters of mid-century Danish design, the lamp lends a sculptural element to each space its inhabits. For easy articulation and a more precise light, a swivel joint has been developed – a feature seen across the entire Tripod […]
$1,730.00
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
$360.00
Sometimes the simplest things are the most lasting and memorable, the Topan pendant being a brilliant example. It was the first mass produced lamp by Verner Panton, later to be followed by the Flowerpot. TopanÕs simplicity and coolness proves to be evergreen.
$1,690.00
$680.00
The German word for Òhold, stay and lastÓ, Halten is designed to be a cherished companion for everyday life. In a home or hospitality setting, you can easily take it with you to pair with an armchair, sofa or pouf. The design reflects HerknerÕs impeccable eye for detail and proportion, his affinity for form, and […]