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Designed by Alberto Meda
For moments of relaxation outdoors, the Frame collection offers style and practicality with an elegant design aimed at well-being and comfort. The extruded aluminium frame defines the modern and timelessness of this collection designed by Alberto Meda in 1994.
Variation
$3,570.00
The geometry of the legs and the connection between structure and top have been reworked and DRY is now the perfect synthesis of the kind of design thinking that finds extraordinary compo-sitional richness in formal simplicity. The elegant aluminium base is broken down into an attractive shape thanks to a joint that becomes the key […]
$980.00
The Frame Chair collection designed in 1991, displays a light and rigorous style, which results in comfortable seats. The stackable seatings, Highframe 40, Bigframe 44 and Frame 52, differ in their proportions and are available with or without armrests. Frame represents a landmark in contemporary design and is still one of Alias’ most successful product […]
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This comfortable chair is named WATER as it recalls the gentle smoothness of water. The master and the guest chair present slightly different appearances, not only to signify the status of their users but also to harmoniously pair with the WIND tea table. The ?floating? seat, armrest protection and bended wooden back structure highlight the […]
A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new […]
$2,910.00
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]