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Lazada
Designed by Elio Martinelli
Its name immediately evokes its shape, we can envision the shape without seeing it. It is a small table lamp, the ideal mate for the evening, on a shelf near your bed, near the sofa wherever you want to have a little bit of light or wherever you want to read. A point of light, a pop of color and a hint of design into your world.
Variation
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Cobra, designed by Elio Martinelli in 1968 is over 50 years old, but doesn’t look it. A lamp still in the catalogue today for the fascination it continues to exert for the public. A lamp that is still timely, even if it took several years for its innovative design to be appreciated despite its simple […]
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Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.
$2,060
As admirer of Alexander Calder, in 1951 Schottlander created the Mantis series of lamps. Movement is intrinsic to all of Schottlander’s work: an artist, an engineer and in no small measure a handyman, he devised a clever system of counterweights combined with a series of strong, and flexible metal bars. The shade also is unique […]
$1,140
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
Inspired by Alexander Calder’s dynamic sculptures, the design interprets the idea of “elegant balance” through precision engineering. Ixa is a complete and transversal family composed trough the combination of an adjustable spherical head, rods and counterweights. It is a smart and scalable principle that allows the Ixa family to expand with the addition of new […]
$1,040
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.