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Designed by Alberto Meda
The geometry of the legs and the connection between structure and top have been reworked and DRY is now the perfect synthesis of the kind of design thinking that finds extraordinary compo-sitional richness in formal simplicity. The elegant aluminium base is broken down into an attractive shape thanks to a joint that becomes the key detail of the entire project. The glass top combines functionality and aesthetics in a single element, revealing the beauty of the structure.
Variation
$980.00
The Frame Chair collection designed in 1991, displays a light and rigorous style, which results in comfortable seats. The stackable seatings, Highframe 40, Bigframe 44 and Frame 52, differ in their proportions and are available with or without armrests. Frame represents a landmark in contemporary design and is still one of Alias’ most successful product […]
$1,170.00
For moments of relaxation outdoors, the Frame collection offers style and practicality with an elegant design aimed at well-being and comfort. The extruded aluminium frame defines the modern and timelessness of this collection designed by Alberto Meda in 1994.
$770.00
Charlotte Perriand was inspired by the boom of sailboats when in 1938 she conceived Potence Pivotante. Designed as a highly accessible swivel lamp, realized using two black tubular sections assembled in the shape of an inverted ?L? to lead the electrical wire from the switch to the bulb. The steel arm fixed to the wall […]
$3,220.00
Influenced by the notion of flexible design, the Daystak Desk highlights Robin Day’s skill for blending form with utility. The addition of a drawer box with visible dovetail joinery to the Daystak Table expands the functional potential of the design to create a desk that embodies Day’s singular creative focus. The drawer box can be […]
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The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.