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Designed by Vico Magistretti
The sculptural shape is the result of a simple geometric configuration that combines productive and functional intelligence, perfectly capturing the characteristic traits of the design by Vico Magistretti.
Variation
$300.00
Eclisse, a table lamp which can also be wall mounted, is designed by Vico Magistretti in 1965, won the Compasso d?Oro Award in 1967 and become ambassador of Italian design worldwide. Eclisse is an avant-garde balance between form and function, design and utility. The concept?s foundation lies in its functionality of adjusting the intensity of […]
$890.00
Realised in 1979, Kuta expresses Magistretti?s constant quest to combine simplicity and geometric rigour with an evocative lighting effect of lights and shadows.
$1,260.00
For many years now, Atollo has no longer been a lamp, or rather, it has no longer been just a lamp. It has become a myth, an icon: one of the best know symbols of Italian design wordwide, one of the very few products which people recognise and call with its own name. Designed by […]
$1,140.00
$1,110.00
Tizio features articulated design that is always perfectly balanced thanks to the counterweights formed by a revolutionary structure that supports the head and at the same time powers the light source, originally a low-voltage halogen bulb, today also a LED. Thanks to the intelligence and elegance with which Tizio combines these two elements, the lamp […]
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Designed in 1964, its name comes from the fact that it received the Silver Delta Award granted by the ADI?FAD in 1964
$450.00
“Introduced in 1975, Sintesi was the first Artemide lamp signed by its founder, Ernesto Gismondi. Conceived as an intelligent system, it is built around simple, shared components that form a versatile family of products. The table version, now reissued, is the core from which the entire system evolves. Its structure is minimal yet adjustable in […]
$580.00
Designed by Charlotte Perriand for her mountain chalet Le Vieux Matelot, Applique Cylindrique is a design that dates back to the early 1930s. Her interest in pivoting screens reflects her observation on human gestures: a simple touch allows to direct the lampshade and to control the light beam, making it possible to adjust intensity and […]