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Designed by Alberto Meda
The Frame Chair collection designed in 1991, displays a light and rigorous style, which results in comfortable seats. The stackable seatings, Highframe 40, Bigframe 44 and Frame 52, differ in their proportions and are available with or without armrests. Frame represents a landmark in contemporary design and is still one of Alias’ most successful product lines.
Variation
$1,170.00
For moments of relaxation outdoors, the Frame collection offers style and practicality with an elegant design aimed at well-being and comfort. The extruded aluminium frame defines the modern and timelessness of this collection designed by Alberto Meda in 1994.
$3,570.00
The geometry of the legs and the connection between structure and top have been reworked and DRY is now the perfect synthesis of the kind of design thinking that finds extraordinary compo-sitional richness in formal simplicity. The elegant aluminium base is broken down into an attractive shape thanks to a joint that becomes the key […]
$0.00
Boby is much more than a simple container: it is the trolley storage unit that made design history. Functionality and detail are its strong points which, together with an undeniably pop flavour, continue to make it the most popular storage trolley in creativity sectors as well as in the medical, and in the home. Designed […]
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Nori is a modern design table which can either be fixed or extended with multiple possibilities of finishes and colours. The legs are available either painted or in anodised aluminum, creating sharp lines to really create an impact in your home and a great talking point for guests. The tabletop extremely thin and lightweight, but […]
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
$1,730.00
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.