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Designed by Vico Magistretti
For many years now, Atollo has no longer been a lamp, or rather, it has no longer been just a lamp. It has become a myth, an icon: one of the best know symbols of Italian design wordwide, one of the very few products which people recognise and call with its own name. Designed by Vico Magistretti in 1977, it was awarded the Compasso d’Oro in 1979 and became, since then, part of the permanent collections of the world’s major museum of design, as well as part of the furniture of many homes of those who love and are able to select the things surrounding them. Atollo’s secret probably lies in the geometrical construction of its shapes: the cone on the cylinder and the semisphere above all. A luminous sculpture from which nothing can be removed to which nothing can be added. And which nothing can copy.
Variation
$300.00
Eclisse, a table lamp which can also be wall mounted, is designed by Vico Magistretti in 1965, won the Compasso d?Oro Award in 1967 and become ambassador of Italian design worldwide. Eclisse is an avant-garde balance between form and function, design and utility. The concept?s foundation lies in its functionality of adjusting the intensity of […]
$440.00
Fresnel is a lamp created by Joe Colombo with the intention of appearing to be one of those perfect objects, that cannot be improved any further because it has been designed by time, capable of making essentiality and practicality synonyms of elegance. The Fresnel 10 cm-diameter lens becomes the absolute protagonist of this project, different […]
$410.00
Eclisse, designed by Vico Magistretti in 1965 and awarded the Compasso d?Oro in 1967, has become a global icon of Italian design. A pioneering balance of form and function, design and utility, Eclisse stands out for its clever light control system: with a fixed outer shell and a rotating inner shade, the lamp allows the […]
$1,660.00
In 1946, Vico Magistretti conceived Claritas, his first lighting design, which conceptually aimed for clarity and brightness. In a context of reconstruction and reconversion of the war industry, for the first time Magistretti used bent metal tubes and a curved aluminium sheet as a reflector, which could be oriented and regulated, ensuring the desired lighting […]
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$12,200.00
The name chosen for this Bomma collection, inspired by basic geometric shapes, comes from the Greek word for ?appearances.? According to Plato?s teachings, phenomena are mere transient images of eternal and perfect forms and thus inherently unreal. A fitting name for objects made of glass ? a material that is both rigid and flexible, as […]
$2,220.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
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