Visit us in store for a wider selection of items not found online.
Designed by Giancarlo Piretti
“The Symbol of a new era focused on plastic”. That’s how Plia chair was presented in 1967 at the Fiera del Mobile in Milan. During the Fair, the Plia got so much acclaim from audiences that many visitors moved away from the stand with some samples without asking for permission… As a result of this unhorthodox compliment the chairs were tied with chains for safety. With the Plia chair the designer, Giancarlo Piretti, has revolutionized the concept of folding chair, and his study on the “three-disc hinge” is considered a stroke of genius. The combination of steel and polypropylene frame has paved the way for Plia which has become a cult object. Plia represents the realization of “democratic design” and it is nowadays exposed at the design sector of the MoMA in New York. Thanks to this chair, which millions of copies have been sold, Giancarlo Piretti,
Variation
$3,590.00
A multifunctional modern and iconic lounge chair, perfectly combining comfort, design and modularity. Alky?s design allows for individual use or linked together to form a sofa.
$1,890.00
Designed in 1970 by Giancarlo Piiretti, plona is a folding and stackable armchair. A truly unique design that combines aesthetics, functionality and comfort.
$1,130.00
“The Symbol of a new era focused on plastic”. That’s how Plia chair was presented in 1967 at the Fiera del Mobile in Milan. During the Fair, the Plia got so much acclaim from audiences that many visitors moved away from the stand with some samples without asking for permission… As a result of this […]
$3,080.00
0
An historical project that fascinates us once again thanks to the current ergonomic value of the split between the headrest and lumbar support: an advanced concept for its time when it was presented, now made even more effective by modern upholstery in varying degrees of thickness. The curved tubular structure, typical example of twentieth century […]
$770.00
The first wall lamp designed by Le Corbusier in 1925, originally thought to enlighten the large windows of Villa La Roche, a manifesto of purist architecture. Nemo edits La Roche enhancing its lightness and functionality: a matte metal frame and an opal glass diffuser for soft lighting.
Compact and snug, the Mayfair’s collection has a dual appearance: totally straight from the outside, like a single curved leaf, and pleasantly soft on the inside, like a den or nest. The organic lines are emphasised by the visible stitching.