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Lazada
Designed by Giancarlo Piretti
“The Symbol of a new era focused on plastic”. That’s how Plia chair was presented in 1967 at the Fiera del Mobile in Milan. During the Fair, the Plia got so much acclaim from audiences that many visitors moved away from the stand with some samples without asking for permission… As a result of this unhorthodox compliment the chairs were tied with chains for safety. With the Plia chair the designer, Giancarlo Piretti, has revolutionized the concept of folding chair, and his study on the “three-disc hinge” is considered a stroke of genius. The combination of steel and polypropylene frame has paved the way for Plia which has become a cult object. Plia represents the realization of “democratic design” and it is nowadays exposed at the design sector of the MoMA in New York. Thanks to this chair, which millions of copies have been sold, Giancarlo Piretti,
Finishes:
Structure in steel plated chrome, seat and back in cane
Dimensions:
W469 x D508 x H751 mm SH428 mm/ W469 x D54 x H888 mm
$2,920.00
A multifunctional modern and iconic lounge chair, perfectly combining comfort, design and modularity. Alky?s design allows for individual use or linked together to form a sofa.
$3,420.00
$1,830.00
Designed in 1970 by Giancarlo Piiretti, plona is a folding and stackable armchair. A truly unique design that combines aesthetics, functionality and comfort.
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Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
$1,110.00
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.