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Designed by Jonas Wagell
The table series brings functionality to the everyday through its shelf that is framed by distinctive borders and can be used to display and store everyday objects, books, magazines, stationary items or even decorative objects.
Finishes:
Base in solid oak with oak veneer stained dark brown, top in brown emperador marble
Dimensions:
DIA600 X H500 mm
$2,800.00
Inspired by the idea of a parlour – a space designed for entertaining, socialising, and relaxation – the Parlour series by Jonas Wagell includes a lounge chair and a complementary ottoman. With pronounced piping details defining the shape, the lounge chair?s sweeping backrest is seamlessly attached to the round, voluminous seat.
$6,880.00
The Panorama modular sofa is designed to be an organic fit for any space, be it grand or large. Simply configure and combine its modules exactly as you would like. While its curves allow for it to bring a modern touch to the scenery, its inherent comfort invites the user in for a seat that […]
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Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection ? including an armchair, a chaise-longue and […]
$2,390.00
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A series of lacquered coffee tables with layered curves that nest and interlock. Grouped together, they form a sculptural composition where surface, shadow, and silhouette flow in quiet rhythm.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
$1,860.00
Almost a visual trick, like a frame where mass and gravity is suspended, and the slim and delicate structure support the marble top, like a hovering platform.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.