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Lazada
Designed by Christophe Pillet
This table base can be assembled with tops of various types, according to the taste and needs.
Finishes:
Structure in metal powder coated white, silk grey, grey, bronze, Dark brown or black, top in carrara or dark emperador marble, HPL laminate or ceramic
Dimensions:
W700 x D700 x H740 mm W800 x D800 x H740 mm W900 x D900 x H740 mm W1000 x D1000 x H740 mm W700 x D700 x H670 mm W800 x D800 x H670 mm W900 x D900 x H670 mm W1000 x D1000 x H670 mm
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The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Compact and snug, the Mayfair’s collection has a dual appearance: totally straight from the outside, like a single curved leaf, and pleasantly soft on the inside, like a den or nest. The organic lines are emphasised by the visible stitching.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
Born out of the fascination by those big rattan or cane armchair so common in South East Asia, Patricia Urquiola creates her own sophisticated rendition.Volumes expand, braids are doubled, patterns appear unexpectedly and gracefully fragmented. The Pavo collection introduces a strong exotic connotation.