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Designed by Christophe Pillet
This table base can be assembled with tops of various types, according to the taste and needs.
Finishes:
Structure in metal powder coated white, silk grey, grey, bronze, Dark brown or black, top in carrara or dark emperador marble, HPL laminate or ceramic
Dimensions:
DIA700 x H740 mm DIA800 x H740 mm DIA900 x H740 mm DIA1000 x H740 mm DIA1100 x H740 mm DIA1200 x H740 mm DIA1300 x H740 mm DIA700 x H670 mm DIA800 x H670 mm DIA900 x H670 mm DIA1000 x H670 mm DIA1100 x H670 mm DIA1200 x H670 mm DIA1300 x H670 mm
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The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.