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Designed by Christophe Pillet
This table base can be assembled with tops of various types, according to the taste and needs.
Finishes:
Structure in metal powder coated white, silk grey, grey, bronze, Dark brown or black, top in carrara or dark emperador marble, HPL laminate or ceramic
Dimensions:
DIA700 x H740 mm DIA800 x H740 mm DIA900 x H740 mm DIA1000 x H740 mm DIA1100 x H740 mm DIA1200 x H740 mm DIA1300 x H740 mm DIA700 x H670 mm DIA800 x H670 mm DIA900 x H670 mm DIA1000 x H670 mm DIA1100 x H670 mm DIA1200 x H670 mm DIA1300 x H670 mm
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The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
The steel grid and the choice of brightly colored fabrics make these chairs ideal for both the home and commercial areas.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
Fredrikson stallard’s work often exudes an energy like that of abstract expressionism, a forcing by the artists hand or a chaos within the materials and forms themselves, albeit an organized chaos. In Sereno they have used similar themes, methods and language to instead create a moment of calm and solitude. The forms themselves are created […]
The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.