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Designed by Monica Armani
Finishes:
Legs in iroko wood or aluminium powder coated white, silk grey, grey, bronze, dark brown or black, top in HPL laminate or ceramic
Dimensions:
DIA500 x H420 mm
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Versatile outdoor chair with powder coated aluminum structure, featuring numerous combinations of different materials and fabrics for seat, backrest and legs. This outdoor chairs backrest can be made of hand-woven synthetic fiber cord, Textilene or an outdoor waterproof fabric, to choose from the wide range of Varaschin. It is a very handy and durable outdoor […]
Versatile outdoor chair with powder coated aluminum structure, featuring numerous combinations of different materials and fabrics for seat, backrest and legs. This outdoor chair’s backrest can be made of hand-woven synthetic fiber cord, Textilene or an outdoor waterproof fabric, to choose from the wide range of Varaschin. It is a very handy and durable outdoor […]
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
Christophe Pillet has sculpted a chair with armrest for Kristalia, suited also to use inside, perhaps in a modern office or flat, as well as in a garden or on the patio of an al fresco restaurant. The chair is visually striking, not in colour, for it is both sensibly and starkly monochromatic, but in […]
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.