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Designed by Monica Armani
Finishes:
Legs in iroko wood or aluminium powder coated white, silk grey, grey, bronze, dark brown or black, top in HPL laminate or ceramic
Dimensions:
DIA500 x H420 mm
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The daybed of the EMMA collection is characterized by the iconic rope weaving of the back, a refined detail that emphasizes shape and design. It stands out for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Versatile outdoor chair with powder coated aluminum structure, featuring numerous combinations of different materials and fabrics for seat, backrest and legs. This outdoor chair’s backrest can be made of hand-woven synthetic fiber cord, Textilene or an outdoor waterproof fabric, to choose from the wide range of Varaschin. It is a very handy and durable outdoor […]
Noss combines technology and innovation. A structural rope, harmonious and light, but at the same time robust and enveloping, characterizes the project in a perfect balance between the parts in which soft and welcoming lines embrace strength and solidity. For Noss, the balance between comfort, functionality and research for an innovative design joins technologically advanced […]
Padded modular sofa. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
The Split chair with arms links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind […]
Sipek, artist and craftsman is able to bend materials to his desires, finds a great potential in rattan and cane, so combines them, bends them and colors them with unusual and sensual patterns.The result is a sculptural vitality suspended between Cubism and baroque.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.