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Designed by Daniele Lo Scalzo Moscheri
SYSTEM is a project born from a very simple sign. A rhomboidal and rounded section creates an ideal line for the design of a family of tables and benches, with a light and soft presence. System is a modular and varied program of different heights and dimensions. The purity of the leg section is combined with the soft and rounded shape of the tops. The construction with aluminum extrusions makes for a solid base available in many sizes of HPL tops that are interlinked in the Varaschin world.
Finishes:
Structure in aluminium powder coated white, silk grey, grey, bronze, Dark brown or black, top in HPL or ceramic
Dimensions:
W1400 x D800 x H270 mm W1400 x D800 x H360 mm
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Padded modular pouf. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
Screen with powdered steel structure and quilted coating , for a simple but versatile and modern garden furnishing
SYSTEM is a project born from a very simple sign. A rhomboidal and rounded section creates an ideal line for the design of a family of tables and benches, with a light and soft presence. System is a modular and varied program of different heights and dimensions. The purity of the leg section is combined […]
$2,750.00
Almost a visual trick, like a frame where mass and gravity is suspended, and the slim and delicate structure support the marble top, like a hovering platform.
$2,140.00
Offered in seven sizes and shapes, spanning round, square, and rectangular outlines, the Notch table series by Gunther Pelgrims is distinguished by a striking graphic character that accentuates the inherent qualities of the components. Crafted in black glass with slightly bevelled edges, the semi-transparent tabletop is resting atop a frame in black stained oak with […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.