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Lazada
Designed by Ludovica & Roberto Palomba
An outdoor sofa but designed for the old aged and very noble art of conversation. In this sofa everyone can find his ideal depth of seating position and posture: more composed or more gently relaxed, depending on one’s temperament or the circumstances of the day. Ludovica and Roberto Palomba wanted Grand Plie to open up like an embrace and be able to seat up to four people, and then accommodate Plie armchairs and Piaffe tables in the projection of its curve, in a sort of controlled void.
Finishes:
Suitable for outdoor use, structure in polythylene in white or light grey
Dimensions:
W2420 x D1450 x H820 mm
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Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
The 2/3 seater sofa of EMMA collection is characterized by the iconic rope weaving of the back, a refined detail that emphasizes shape and design. It stands out for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
$6,400.00
Designed for both formal and casual settings, the details of Surface is refined with the plinth detail and the functional table top.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.