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Designed by Lievore Altherr Molina
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to high performance weather resistance, thanks to being woven with nautical rope on a painted stainless steel frame.
Finishes:
Suitable for outdoor use, structure in stainless steel powder coated white, black, oxide or champagne, polyester rope in white, black, taupe, orange, dark orange or oxide
Dimensions:
W680 x D570 x H380 mm
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The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Cooper is all about quiet elegance?clean lines, soft curves, and precisely proportioned form. The black wood frame shows off natural texture, while the saddle leather seat ages beautifully. Every detail adds to a sense of understated ritual?inviting you to sit with intention.
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.