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Lazada
Designed by Ludovica & Roberto Palomba
Finishes:
Suitable for outdoor use, structure in polythylene in white or light grey
Dimensions:
W900 x D770 x H1230 mm
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Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
A minimal top, in crystal or canaletto walnut veneer, suspended on two independent wood structures: the result is a very refined table, thanks to the elegant details and the lightweight look of the piece overall.easel, designed for Driade by Ludovica+Roberto Palomba, is a table that plays on proportions and dynamism.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
Inspired by the stability of Greek geometries and the fluidity of Asian ink painting, the CHAI sofa integrates sumptuous cushions within a volumed metallic lacquer frame, creating an elegant interplay of softness and rigidity. Adorned with oversized cushions, CHAI invites both sit and curling up. The CHAI sofa introduces a new lifestyle, designed with platformed […]
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The Kite high back sofa breathes a unique character into a known typology with its slenderly linear outline alongside a softly inviting inner. Through its thinly upholstered panels that mimic the planes of a kite, the design adds an elegant sense of privacy to any room.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.