Visit us in store for a wider selection of items not found online.
Lazada
Designed by Eugeni Quitllet
In the outdoor collection OUT/IN Starck with Eugeni Quitllet, proceeds along two paths: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark. With the sofa he doesn’t look for the iconic object, but he rather adopts sophisticated stratagems, usually intended for home interiors, for example the inclusion of essential aluminum armrests. Are this high chair and this sofa, almost functionalist, creating a collection? Certainly, but outside of the ordinary bourgeois aesthetics of the all coordinated.
Finishes:
Suitable for outdoor use, structure in polythylene in white or anthracite grey
Dimensions:
W780 x D770 x H1470 mm SH440 mm
0
The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.
Costes chair debuted in 1984, marking the beginning of the partnership between Philippe Starck and Driade. A designer, formerly unknown in Italy, creates one of the world’s most iconic object. Designed for the once homonymous, now disappeared Parisian cafe, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three […]
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Garconne, whose structure is fully covered with leather, is a sofa boasting wide and generous shapes; its soft and large cushions in leather or fabric are bounded by slim, gently curved armrests. Completed by the armchair, Garconne is a luxury item, a fully-fledged protagonist, designed for socialites and people who love meeting friends and relaxing […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.