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Designed by Ron Arad
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth mentioning the presence of a rocking chair, very rare in the modern world.
Finishes:
Suitable for outdoor use, structure in polythylene in sand white with interior in red or black
Dimensions:
W800 x D1040 x H780 mm SH420 mm
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
Fredrikson stallard’s work often exudes an energy like that of abstract expressionism, a forcing by the artists hand or a chaos within the materials and forms themselves, albeit an organized chaos. In Sereno they have used similar themes, methods and language to instead create a moment of calm and solitude. The forms themselves are created […]
The Koo Armchair pairs clean lines with a gentle sense of enclosure. Its recessed legs create a unique yet balanced silhouette, while the front view evokes the calm strength of a fortress. Designed to offer both physical support and emotional comfort, KOO is a sanctuary for the body and mind.
$2,260.00
AX represents one of the first times that plywood was shaped in 3D. The continuous curve of the armrests is mirrored in the frame, indicative of Hvidt & Mølgaard’s training in Danish cabinetry. Their expert engineering of the construction ensures unsurpassed ergonomics, resulting in the design’s reputation as the most comfortable wooden chair of its […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.