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Designed by Ron Arad
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth mentioning the presence of a rocking chair, very rare in the modern world.
Finishes:
Suitable for outdoor use, structure in polythylene in sand white with interior in red or black
Dimensions:
W800 x D1040 x H780 mm SH420 mm
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
As fascinating as a throne and as protective as a cradle, a seat that combines the concepts of strength and softness in a single piece of furniture. The sleek Mstructure, made from solid beech strips, surrounds and supports the seat and the headrest in birch plywood with fabric upholstery. An important piece, destined to grab […]
Polar is inspired by the shear forms of the ice caps in the arctic seas, thus giving life to an extremely versatile seating system. The seats and backrests , characterized by their full and sheared forms can be coupled together in a variety of ways, creating numerous seating layouts or options. The system is completed […]
Kirk is a new system of armchairs and sofas conceived as a game of constructions in which the container and the contents change the interlocking game on minimal asymmetries, unexpected openings, compositional subtleties. Kirk sofa adapts perfectly to all spaces that want to fix the living room area with refinement and originality and redefines the […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.