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Designed by Monica Armani
The bergere armchair of EMMA collection is characterized by the iconic rope weaving of the back, a refined detail that emphasizes shape and design. The refined detail is enhanced thanks to the care for the shapes of the new seats: the bergère becomes an icon for the collection. It stands out for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Finishes:
Legs in aluminium powder coated white, silk grey, grey, bronze, dark brown or black, structure in synthetic cord in var#rope in beige or dark grey, upholstery in a selection of outdoor fabrics, optional head cushion
Dimensions:
W830 x D790 x H1080 mm SH460 mm
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The daybed of the EMMA collection is characterized by the iconic rope weaving of the back, a refined detail that emphasizes shape and design. It stands out for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
The 2/3 seater sofa of EMMA collection is characterized by the iconic rope weaving of the back, a refined detail that emphasizes shape and design. It stands out for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Part of a collection made of painted metal, this outdoor coffee table is available in two heights and is characterized by its stylized form and multiple colors that make it fresh and playful.
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Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection ? including an armchair, a chaise-longue and […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.