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Lazada
Designed by Anik Gneib
The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee a full relaxation in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Finishes:
Structure in aluminium in dark brown with man made fibre rope in natural or dark brown or Structure in aluminium in grey with hemp rope, upholstered seat and back cushions in a selection of outdoor fabrics
Dimensions:
W730 x D760 x H730 mm SH440 mm
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The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee […]
The stool of the EMMA collection is characterized by the iconic rope weaving of the back, a refined detail that emphasizes shape and design. The stool can be customized in different combinations of seat, legs and back, different materials and fabrics, it can be adapted for different situations and moods. It stands out for its […]
The Merano is one of the most popular product in the portfolio. Innovative design of the chair consists of two axially intersecting molded plywoods guaranteeing a very high level of comfort.
$1,130.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.