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Lazada
Designed by Daniele Lo Scalzo Moscheri
Padded modular piece. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
Finishes:
Upholstery in a selection of fabrics
Dimensions:
W900 x D900 x H700 mm SH400 mm
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Screen with powdered steel structure and quilted coating , for a simple but versatile and modern garden furnishing
SYSTEM is a project born from a very simple sign. A rhomboidal and rounded section creates an ideal line for the design of a family of tables and benches, with a light and soft presence. System is a modular and varied program of different heights and dimensions. The purity of the leg section is combined […]
Concrete outdoor coffee table with rectangular shape. The particular soft line design of this coffee table makes it suitable for any type of sofa. The structure in cement of this coffee table guarantees durability and resistance to the most aggressive atmospheric agents, such as sun and rain, or to ambient conditions that normally cause corrosion, […]
Here is the Babylon ottoman for outdoor with comfortable design and available with upholstery and fabrics suitable for outdoors use in areas with salt spray, an element that completes the collection characterized by the intertwining of hemp.
$2,770.00
Arc by Toan Nguyen is a sculptural table collection defined by geometric forms. The design perfectly balances the solid steel base and the lighter, translucent tabletop, creating a captivating visual contrast. The glass surface reflects its surroundings while subtly revealing the intricate, sculptural silhouette of the base beneath.
Inspired by the square colosseum in Rome, were the arc shape of windows and the straight square shape of building live together. Roma coffee table collection comes in a set of three, with sturdy shapes that capture the beauty of architecture.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.