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Designed by Calvi Brambilla
The daybed of the TIBIDABO collection in characterized by a supporting structure in powder coated steel tube covered by a hand-woven synthetic fiber rope: its sophisticated design makes it suitable for the furnishing of a private house or a hotel terrace.
Finishes:
Structure in aluminium varnished silk grey with perla synthetic fibre rope in perla or structure in grey with grey brown rope, upholstery in a selection of outdoor fabrics
Dimensions:
W1610 x D1830 x H770 mm SH440 mm
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Armchair in painted metal and manually woven synthetic fiber. This outdoor furniture with characteristic hourglass shape is ideal for decorating terraces and outdoor spaces.
Round coffee table in aluminum, available in different colours. Easy to stack for transport or storage. Ideal as a side table for sun loungers or beds by the pool.
The chair of LAPIS collection stands out for its simple personality, an essential line with a strong natural aspect, with a structure made of certified plantation solid teak wood. The design and material of the collection refer to a concept of raw material, to the perfect integration between wood and outdoor environment. Its comfortable size […]
Beech rods bent according to a modern technology, seat shaped by modern production methods and contemporary design. The Tram chair connects everything that is typical for TON today. Its lines simplify any interior and are available in a version with armrests or upholstery.
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat which becomes more prosperous and retro in the solid ash version.
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.