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Designed by Philippe Starck
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Finishes:
Suitable for outdoor use, stackable, structure in polypropylene in carnation, white, lavender grey or dark grey
Dimensions:
W440 x D525 x H830 mm SH470 mm
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lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered […]
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
$1,250.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.