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Lazada
Designed by Philippe Starck
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Finishes:
Suitable for outdoor use, stackable, structure in polypropylene in carnation, white, lavender grey or dark grey
Dimensions:
W440 x D525 x H830 mm SH470 mm
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Here it is the ultimate pleasure of drawing and the power of provocation: the leather full dress, that reaches the floor, strongly opposes to the only polished metal shark finned back leg. Ed Archer is undoubtedly a scenographic protagonist.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
In the outdoor collection OUT/IN Starck with Eugeni Quitllet, proceeds along two paths: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark. With the sofa he doesn’t look for the iconic object, but he rather adopts sophisticated stratagems, usually intended for home interiors, for example the inclusion of […]
An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
Benasal, also known as the armchair that won Jaime Hayon?s heart, is a simple and functional design seeking for comfort without any further ado. Pomposity aside, it is just an armchair inviting to sit and relax. Being thus conceived, how could it not be suitable for any given place at any given time?
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.