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Lazada
Designed by Philippe Starck
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Finishes:
Suitable for outdoor use, stackable, structure in polypropylene in carnation, white, lavender grey or dark grey
Dimensions:
W440 x D525 x H830 mm SH470 mm
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An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of […]
In the outdoor collection OUT/IN Starck with Eugeni Quitllet, proceeds along two paths: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark. With the sofa he doesn’t look for the iconic object, but he rather adopts sophisticated stratagems, usually intended for home interiors, for example the inclusion of […]
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
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Ancient houses used to be full of many helpful small objects. For putting ashes rather than for sewing, to serve rather than to expose: they punctuated dwelling spaces. Giuseppe Chigiotti, by designing “Ping”, thinks back to those times now passed, and creates a “servante” declined in two versions: Ping I. characterized by the function of […]
Collection which takes its name from the different thickness and irregular arrangement of certified teak slats that make up the “barcode” effect.
The Zeta stool, designed by the architect Mario Botta, recalls the letter from which it takes its name: two square elements, serving as base and seat, are joined by a diagonal element secured by a comb joint at each end. Two diagonal leaves merge with this element, helping to strengthen its structure and giving the […]