Visit us in store for a wider selection of items not found online.
Lazada
Designed by Philippe Starck
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Finishes:
Suitable for outdoor use, stackable, structure in polypropylene in carnation, white, lavender grey or dark grey
Dimensions:
W545 x D525 x H830 mm SH470 mm
0
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
A chair that incorporates the rounded 50’s style, however, ergonomically correct and more suitable for outdoor use. This is accomplished through the side slots, so fundamental to the flow of rainwater and to its stackability. Soft egg offers an organic image that can melt, so amazingly, with the organic unity of nature.
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
$690
Named after the Betty Nansen theatre in Copenhagen, this stackable chair is a true evergreen design.
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.