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Designed by Ron Arad
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth mentioning the presence of a rocking chair, very rare in the modern world.
Finishes:
Suitable for outdoor use, structure in polythylene in sand white with interior in red or black
Dimensions:
W1800 x D854 x H850 mm SH435 mm
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
$3,270.00
Despite its small dimensions, the Tenon Lounge Chair boasts an expressive character – hard and soft, strong, and graceful – as it cultivates contrasts between hard wood and upholstered surfaces. A clean construction in solid oak, assembled in a so-called ?mortise and tenon joint,? creates a sculptural frame for the seat. The straight lines and […]
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
$2,490.00
With its bold geometry and unmistakable silhouette, the Bukowski Lounge Chair balances sculptural presence with welcoming ease. The lounge chair retains the essence of the original Bukowski Chair while enhancing its inviting nature, with an upholstered backrest and a lowered seat. Crafted from solid wood and generous upholstery, the lounge chair showcases an elegant silhouette, […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.