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Designed by Ron Arad
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth mentioning the presence of a rocking chair, very rare in the modern world.
Finishes:
Suitable for outdoor use, structure in polythylene in sand white with interior in red or black
Dimensions:
W735 x D740 x H830 mm SH420 mm
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
Eight wedge form armchairs fit under the BIG LOW table: the ideal collection for those who want to make the most out of their space. The armchairs structure is made of solid okoume wood and the padding of a cell exploded draining rubber, which makes the water flow through the seat. The fabrics are made […]
The childhood memories of collecting shells inspired this lovely Bonbon chair. The armrest and back gently connect, and cozily embrace the sitter with its rounded organic form. The ingenuity of design brings pleasure memories and creates a warmth and whimsical vibe for the dining room.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.