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Designed by Ron Arad
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth mentioning the presence of a rocking chair, very rare in the modern world.
Finishes:
Suitable for outdoor use, structure in polythylene in sand white with interior in red or black
Dimensions:
W735 x D740 x H830 mm SH420 mm
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
Closer is an armchair with iron structure painted matt black and supported feather cushion with removable cover, fixed in the leather version. A slender but very solid metal frame welcomes the large and enveloping cushion with generous shapes, offering the maximum level of comfort.
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
$3,920.00
Resting atop a recessed base, the corpus of the Montholon design seemingly soars above ground, prompting a lighter sentiment to the voluminous proportions while awakening the senses with inviting curves and the soothing softness of tactile topography.