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Designed by Italo Rota
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.
Finishes:
Suitable for outdoor use, structure in polythylene in white or grey
Dimensions:
W735 x D760 x H910 mm SH450 mm
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The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
$2,330.00
In 1982, the designer Charles Pollock created a real design classic: Penelope. The American designer developed for Castelli a revolutionary chair from a technical and formal point of view: a steel-wire sled base supports a seat permeable to air which consists in a steel-wire fence coated with synthetic resin. The elastic effect of the base […]
$790.00
Designed with stackability in mind, the Daystak Side Chair by Robin Day is a lesson in functional utility and the beauty of simple forms. Exhibiting the designer’s dedication to craft, the side chair’s complex construction belies its visual simplicity and minimalist mid-century silhouette.
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.