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Designed by Lievore Altherr Molina
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to high performance weather resistance, thanks to being woven with nautical rope on a painted stainless steel frame.
Finishes:
Suitable for outdoor use, structure in stainless steel powder coated white, black, oxide or champagne, polyester rope in white, black, taupe, orange, dark orange or oxide
Dimensions:
W550 x D570 x H790 mm SH450 mm
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Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Clip coat hanger consists of three metal elements of various heights, welded together to increase the capacity.
Notch chair blends traditional craftsmanship with modern design to celebrate the concept ?less is more?. The curve solid wood backrest offers a graceful profile and the scuplted solid wood arm rest conveys elegance with refine details.
$3,890.00$3,306.50
With Lanuda chair, Riccardo Blumer evolves his design research on seats, moving from the wood of Laleggera designed in 1996 to aluminium. Even if Laleggera and Lanuda embody the same principle of essential subtraction – the former employing minimal wood thicknesses in a box structure, the latter using aluminium sheets crafted following a reticu- lar […]