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Designed by Anik Gneib
The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee a full relaxation in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Finishes:
Structure in aluminium in dark brown with man made fibre rope in natural or dark brown or Structure in aluminium in grey with hemp rope, optional upholstered seat cushion in a selection of outdoor fabrics
Dimensions:
W490 x D560 x H820 mm SH450 mm
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The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee […]
The sofa of Clever collection represents the right balance between practicality and comfort. An easy to manage, light structure but extremely resistant and with an ergonomic design.
$710.00
The design of the Smart armchair comes from the perfect balance between the enveloping curve that outlines the backrest and the dynamic verticality of the weave in synthetic Var#tex rope. Light and easy to handle, the Smart armchairs are stackable in groups of four, a quality that makes them the perfect choice for outdoor areas […]
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat which becomes more prosperous and retro in the solid ash version.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.