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Lazada
Designed by Note Design Studio
With a shape that resembles an elevated cake wedge, the design?s focus is on the dynamic, sculptural base that offers stability and a striking visual element in any space. Available in two sizes, the table can either command the spotlight as a standalone piece or synergise in a pairing, adapting seamlessly to an array of interior styles.
Variation
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Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
$6,510.00
The Ovata Table features a simple tabletop cast in matt-polished, Grey Jura limestone with subtle fossil markings, reflecting the unique terroir of its origin. The distinctive yet comforting rounded square shape of the tabletop is echoed in the sturdy column base, fostering pleasant transitions between the contrasting yet complimenting tactile surfaces, resulting in a design […]
$4,220.00
If a design appears to be soft at first glance, it also needs to be soft when you sit in it ? the Ovata is no exception. Its softened lines and grand comfort is available through different pieces: Ovata lounge chair, in two different sizes, and a high back.
$1,110.00
$6,270.00
Presented in four different sizes, the Define Sofa is created with multiple components that are effortlessly connected into one piece. Being simply rectangular and leveled in its form, the modular sofa comes with rounded triangular back and side supports that easily can be added to the design by means of indentations on the surface of […]
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The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.