Visit us in store for a wider selection of items not found online.
Lazada
Designed by Note Design Studio
With a shape that resembles an elevated cake wedge, the design?s focus is on the dynamic, sculptural base that offers stability and a striking visual element in any space. Available in two sizes, the table can either command the spotlight as a standalone piece or synergise in a pairing, adapting seamlessly to an array of interior styles.
Variation
$3,400.00
If a design appears to be soft at first glance, it also needs to be soft when you sit in it ? the Ovata is no exception. Its softened lines and grand comfort is available through different pieces: Ovata lounge chair, in two different sizes, and a high back.
$2,330.00
$6,510.00
The Ovata Table features a simple tabletop cast in matt-polished, Grey Jura limestone with subtle fossil markings, reflecting the unique terroir of its origin. The distinctive yet comforting rounded square shape of the tabletop is echoed in the sturdy column base, fostering pleasant transitions between the contrasting yet complimenting tactile surfaces, resulting in a design […]
$1,110.00
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
0
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
$4,600.00
A strong and creative structure for an all-purpose use ? Placed logically yet decoratively for books, personal belongings and memorabilia.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.