Designed by Tristan Lohner
Deriving from Latin, the term vector literally means ?to carry? ? and the name thus refers to the typology of a table in its simplest form. Playing with perspective, when viewed from the end, the frame in black powder-coated aluminium appears dense, adding weight to the design, whilst seen from the side, the slender silhouette seems light and airy.
Variation
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Resting atop a recessed base, the corpus of the Montholon design seemingly soars above ground, prompting a lighter sentiment to the voluminous proportions while awakening the senses with inviting curves and the soothing softness of tactile topography.
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Symbolic, archaic references and a sculptural silhouette define the Glyph Side Table, designed by the German studio, Hoffmann Kahleyss Design. The Glyph features a slightly translucent tabletop in black-tinted tempered glass appears to be floating while revealing the characteristic cross-sectional view of the base components. Crafted in black-stained oak veneer, two pointy ellipses elegantly meet […]
Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection ? including an armchair, a chaise-longue and […]
A rational design of the metallic structure, made of extremely clean lines, contrasts with the soft comfort of the padding. Born from the need to have the maximum comfort in a minimum space. Sharp is a timeless small armchair, whose shap allows it to match even in a very small space. The metal frame with […]