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Designed by Tristan Lohner
Deriving from Latin, the term vector literally means ?to carry? ? and the name thus refers to the typology of a table in its simplest form. Playing with perspective, when viewed from the end, the frame in black powder-coated aluminium appears dense, adding weight to the design, whilst seen from the side, the slender silhouette seems light and airy.
Variation
$6,400.00
Resting atop a recessed base, the corpus of the Montholon design seemingly soars above ground, prompting a lighter sentiment to the voluminous proportions while awakening the senses with inviting curves and the soothing softness of tactile topography.
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The bergere armchair of EMMA collection is characterized by the iconic rope weaving of the back, a refined detail that emphasizes shape and design. The refined detail is enhanced thanks to the care for the shapes of the new seats: the bergère becomes an icon for the collection. It stands out for its elegance and […]
The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
The Parentesi armchair re–visits a classic form, with style and versatility in its use and its finishes.
Roundness and comfort. Tradition and innovation. These are the keywords of Orsola, designed in 1970 by Gastone Rinaldi. The new edition stays true to its original spirit but features a latest-generation covering, supported by the rounded chrome metal frame, that gives it an even softer and more inviting look. The sofa and armchairs are handcrafted […]