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Designed by Nichetto Studio
A family of seatings that share an aesthetic and functional DNA. Every material is found to fit the best for each product, both for structures and surfaces.
Variation
$6,210.00
In a daily life in which we easily move through virtual and remote interactions, Lilin sofa has been conceived as an invitation to communication and conviviality. The soft shapes and rounded lines of the seat and backrest suggest a welcoming feeling of comfort, while the curve of its structure places those who sit in a […]
Presented as a great island ? floating in a grand space, Cinder Block gives you a multitude of possibilities for creating a sofa that will remain unique in its expression and make a great impression as well. Cinder Block is designed for Wendelbo by Luca Nichetto.
$1,350.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
$2,000.00
$0.00
Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground._ Simple and primitive, smooth and perfectly polished, solitary or close to each other, united in a perfect joint._ Available in two sizes, the tables born from the creativity of […]
$6,940.00
With its low-slung silhouette and softly contoured lines, the Ridge Sofa invites you to sink in. Designed by acclaimed Norm Architects, Ridge balances quiet elegance with an indulgent sense of comfort. True to Norm?s design philosophy, Ridge embraces a soft minimalism where every detail serves a purpose.
$2,810.00
Illusioni is a coffee table with black iron structure and transparent crystal tops. The volumes seem to fluctuate as in the absence of gravity; the slender structure establishes its light and essential line.
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Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.