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Lazada
Designed by Sebastian Herkner
The design has a characterful persona with upholstered elements that bring a sense of softness to modern spaces, joined by the functionality of its curved back, allowing for the user to be seated at multiple positions, and the elegant side table.
$12,270.00
Experience the indulgent of comfort and sumptuous silhouette. The design of the Plaid sofa is defines by the geometric shape and proportion of the collection.
$680.00
The German word for Òhold, stay and lastÓ, Halten is designed to be a cherished companion for everyday life. In a home or hospitality setting, you can easily take it with you to pair with an armchair, sofa or pouf. The design reflects HerknerÕs impeccable eye for detail and proportion, his affinity for form, and […]
$2,110.00
The once distinct functionality of each room in the house has blurred, with desks no longer confined to the study but seamlessly integrated into the bedroom and living room. The saddle leather tabletop showcases craftsmanship, while the structured metal legs reflect the clean, modern aesthetics synonymous with German design.
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Notch chair blends traditional craftsmanship with modern design to celebrate the concept ?less is more?. The curve solid wood backrest offers a graceful profile conveying elegance with refine details.
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.