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Lazada
Designed by Sebastian Herkner
The design has a characterful persona with upholstered elements that bring a sense of softness to modern spaces, joined by the functionality of its curved back, allowing for the user to be seated at multiple positions, and the elegant side table.
$860.00
The OAT armchair was crafted with deep respect for natural materials and traditional craftsmanship. Inspired by the organic curves and forms of slubs and leaves, it reimagines these elements into a new classic chair for contemporary living, infused with a touch of Wabi-sabi elegance. OAT is an ideal choice for homes, cafes, boutique hotels, and […]
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Named after the inventor Margarete Steiff from Germany who invented the Teddy bear. The designer wanted to design a cozy armchair and character by playing with softness and proportions. This armchair is a cozy hub. The refine metal base highlights a soft upholstery with its smooth shapes and an iconic and unique upholstered back leg […]
$450.00
The Sillon series of round mirrors, designed by Sebastian Herkner for &Tradition, takes its cue from the French Art Deco movement. Named after the French word for Ôgroove,Õ the Sillon series of mirrors is punctuated with a corrugated frame that contrasts beautifully with the smooth, reflective glass. Hang at different heights, alone or in decorative […]
Notch chair blends traditional craftsmanship with modern design to celebrate the concept ?less is more?. The curve solid wood backrest offers a graceful profile and the scuplted solid wood arm rest conveys elegance with refine details.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
$630.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.