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Lazada
Designed by Jonas Wagell
Drawing inspiration from the Japanese philosophy of Boketto, a practice rooted in the art of non-doing and peaceful reflection, the Boketto Sofa is defined by gently rounded rectangles, offering a soothing, cohesive look. Two diagonal modules add versatility to layouts, while narrow modules with trays provide a functional touch.
Variation
$1,670.00
The table series brings functionality to the everyday through its shelf that is framed by distinctive borders and can be used to display and store everyday objects, books, magazines, stationary items or even decorative objects.
$2,210.00
$2,630.00
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Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection ? including an armchair, a chaise-longue and […]
Claesson, Koivisto Rune studio proposes a project that was born from a careful analysis of body gestures. They also translate them into an iconic and suggestive shape, but at the same time geometric and essential one. From the visual form of the verbal language – borrowed from the simple configuration of the letter “u” – […]
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Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]
The Parentesi armchair re–visits a classic form, with style and versatility in its use and its finishes.
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]