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Designed by Note Design Studio
The Ovata Table features a simple tabletop cast in matt-polished, Grey Jura limestone with subtle fossil markings, reflecting the unique terroir of its origin. The distinctive yet comforting rounded square shape of the tabletop is echoed in the sturdy column base, fostering pleasant transitions between the contrasting yet complimenting tactile surfaces, resulting in a design that radiates an understated luxurious feel.
Variation
$1,210.00
With a shape that resembles an elevated cake wedge, the design?s focus is on the dynamic, sculptural base that offers stability and a striking visual element in any space. Available in two sizes, the table can either command the spotlight as a standalone piece or synergise in a pairing, adapting seamlessly to an array of […]
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The Mango lounge chair breathes contemporary life into a classic silhouette. The soft, rolling inside of the chair, inspired by a mango fruit, cut in a square pattern.
$1,500.00
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
$1,130.00
$5,310.00
With a clear reference to its name Coin, a round and endless loop, the circle is one of the most versatile geometric shapes.
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
$2,550.00
If a design appears to be soft at first glance, it also needs to be soft when you sit in it ? the Ovata is no exception. Its softened lines and grand comfort is available through different pieces: Ovata lounge chair, in two different sizes, and a high back.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.